![]() With larger formats, the ideal becomes smaller. EDITĪnother consideration is that beyond f/16 or so (in 35mm and smaller formats) you get increasing diffraction. So, the max is great but not always the best. Avoid apertures smaller than f/8 or f/11 on digital cameras. Just use a tripod and choose the smallest aperture you have if you need depth of field. If you are a beginner or just shooting a 35mm or digital camera then this article addresses issues which won't bother you at reasonable apertures. But for consumer digital camera setups, you still basically want f/8. If you want to incorporate a specific Depth of Field to a photo and use film or high-end equipment, there are semi-complex procedures for determining the right aperture.This assumes you're either on a tripod or have enough light to keep the exposure time down below 1/60 or so. A gross simplification is that your lens is probably sharpest there. If you want the ideal aperture for sharp photos, you probably want f/8 or f/11.Moving subjects, moving camera, low light without a tripod, etc. If you want the most light as fast as you can get it, you want the maximum aperture for the lens at that zoom, for that exposure.Landscapes, architecture, and still life are examples of situations where you will want something else. The maximum is good for allowing you to take photos with less light at shorter exposure times, and in many situations, where the subject or you are moving, it can give you the sharpest results. The f-stop or f-stop range printed on your lens is its maximum. So, yes, all good information in other answers.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |